Evacuation
Back in sunny Lancashire on my twice-a-year visit to see family and to meet my supervisors at college. No need for any of that air-con here, no earthquakes, no snakes lurking in the long grass! England might have its problems but it has its advantages too....
And one of those benefits is that I can understand everything that I watch on TV. In leafy Chiba-ken I tend not to do much viewing. You can have too much of NHK chat shows and those 'soaps' where the cast dress up in Edo Period costume and look penetratingly at each other. Or little Ichiro's granny is worried about his school report, much sighing and many a komatta na? "What to do?". Back here in England people in 'soaps' drink far too much and take the most outrageous decisions in their personal lives at the drop of a hat. All much more interesting.
Yesterday I was watching an episode of 'Evacuation' on children's BBC. 'Evacuation' is a word that still makes me laugh because it was very popular with my nursing-trained grandmother. It was a term in daily use in her house along with 'bowel movements' and the like and watch out if you gave her the wrong answer to her questions, there was a large bottle of castor oil waiting for you on the top shelf in the cupboard under the stairs. But that wasn't the 'evacuation' the programme planners had in mind at all of course.
This 'evacuation' involved modern day city kids dressing up in old clothes and going and spending time in the country just like child war-time evacuees had to back in 1940. In this episode they were having fun learning to plough with some big Shire horses. It was lovely to see the excitement on their faces as they got to work doing farm chores from sixty years ago. Made me feel my age too because I could remember ploughing being done like that at West End Farm, Bowes, where we used to help out with work at busy times.
There was something unsettling for me about this programme though and it took a while to put my finger on what it was. It was the 'virtual' aspect of the experience that was on offer. Here were six kids being filmed doing the 'real thing' and perhaps six million others watching them in urban living rooms and bedrooms across the land. I really notice this kind of counterfeit passing for reality these days. The travelogue from Bolivia, the fantastic documentary featuring the natural history of the deep ocean, the music programme with the perfect performance of a complex piece by Bach. In a subtle way they all rob us of the ordinary, even boring, but nevertheless direct experience of a trip to the park, poking around in hedgerows, singing something for ourselves. It isn't that they are wrong in themselves, but they substitute for real world in a subtle way, insulate you from the mundane but real. If you don't watch out you don't even notice it.

